Send Me Books

If you’re a publisher, or publicist, or author, and you’d like me to consider your book for review, I’d be happy to do so. If I read the book and I like it, I might talk about it on my blog. I might even write a review of it and get it published elsewhere AND talk about it on my blog. Wouldn’t that be wonderful?

For examples of my blog-reviews, click here.

Since I’m not about to post my home address on the Internet where crazy and vengeful slush writers can see it, material to be considered for review may be sent to:

John Joseph Adams, c/o Fantasy & Science Fiction, P.O. Box 3447, Hoboken, NJ 07030

Or, you can email me, which you’d probably want to do first anyway, and I’ll probably give you my home address via email.

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Review: SPIN by Robert Charles Wilson


SPIN by Robert Charles Wilson

Publisher’s Description:

One night in October when he was ten years old, Tyler Dupree stood in his
back yard and watched the stars go out. They all flared into brilliance at once,
then disappeared, replaced by a flat, empty black barrier. He and his best
friends, Jason and Diane Lawton, had seen what became known as the Big Blackout.
It would shape their lives.

The effect is worldwide. The sun is now a featureless disk–a heat source,
rather than an astronomical object. The moon is gone, but tides remain. Not only
have the world’s artificial satellites fallen out of orbit, their recovered
remains are pitted and aged, as though they’d been in space far longer than
their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a
bizarre truth: The barrier is artificial, generated by huge alien artifacts.
Time is passing faster outside the barrier than inside–more than a hundred
million years per day on Earth. At this rate, the death throes of the sun are
only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this
slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister
cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work,
turning the planet green. Next they send humans…and immediately get back an
emissary with thousands of years of stories to tell about the settling of Mars.
Then Earth’s probes reveal that an identical barrier has appeared around Mars.
Jason, desperate, seeds near space with self-replicating machines that will
scatter copies of themselves outward from the sun–and report back on what they
find.

Life on Earth is about to get much, much stranger.

Review:

Spin is a superb novel full of Big Ideas, but
those Big Ideas don’t come at the expense of rich character development as
is so often the case with books of this sort.
 Wilson
has a real knack for creating characters one can empathize with and can
really grow to care about.  The famil
Rating: Ay
relationship depicted here, between the
narrator,
Tyler Dupree, and his childhood friends Jason (the genius) and Diane (his
first, unrequited love), is the real driving force of this novel, and is
what makes it such a compelling page-turner.  The prose is clean and
fluid, and Wilson expertly paces the book, keeping the reader engaged and
anxious to find out what comes next.  This can be tricky in a novel
that spans several subjective years (and billions of relativistic years),
but Wilson pulls it off marvelously. 

Spin is exactly the sort of novel that I think we
need to see more of, one that infuses the reader with that gosh-wow sense of
wonder that many writers seem to have forgotten is the reason we all fell in
love with the genre in the first place. 

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Writer Meme

According to Tim Pratt: “Steph Burgis was asking writers to post lists of fun things they like to put in books, over in her comments section.”

I’m an editor, not a writer, but if I did write something, I would probably include some of the following things. Might be interesting to the slush writers reading this since I’m probably predisposed toward liking stories with the following SF elements:

1. Skyhooks

2. Dinosaurs

3. Post-apocalyptic wastelands

4. Supersmart animals (intelligence-boosted/evolved/uplifted chimps, gorillas, kangaroos, dogs, mice, etc.)

5. Near future explorations of our solar system

Tim went on to make a list of things he doesn’t like in books and will likely never use. I won’t go so far as to say I actively dislike all of these, but to me they’re in danger of becoming played out, as I’ve seen a glut of stories and/or novels dealing with them lately. In fact, I can think of recent examples of nearly all of these that I did quite enjoy. But like I said, they’re all in real danger of becoming completely played out. Anyway, here’s the bad list:

1. Immortality via computerized consciousness transfer

2. Artificial life forms turning on their creators

3. Elves (from authors not named Tolkien)

4. Unicorns (from authors not named Beagle)

5. Undead/afterlife/ghost stories

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Slush Writer Appreciation Month Continues

So, with the Aaron Reed interview, I published my last completed slush survivor interview (some of my other survivors were not available for interview), but Slush Writer Appreciation Month continues! In the coming days, I’ll post a few interviews with the slush readers in the field. And first up is Kelly Link, slush reader for SCI FICTION.

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June 2005 Acquisitions

New this month: an A.I. tale from Albert E. Cowdrey; the story of an unusual father/son relationship from new writer Trent Hergenrader (one of Gordon’s Clarion students from last year); an examination of the problems with publishing from Robert Reed; a Holy Grail tale from James L. Cambias; the account of a war with roaches by C. S. Friedman; a story that might remind you of your time in school from Mike Shultz; a far future tale of religion, enlightenment, and sexual expression from Gary W. Shockley; and another new slush survivor: Donald Mead, who makes his F&SF debut with a 15,000 word novelet of African historical fantasy, set in the days leading up to The Battle of Isandlwana in the late 19th Century.

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PW Audiobook Reviews

My first audiobook review for Publishers Weekly just appeared in the June 6, 2005 issue. But if you want to read it, you can just go visit the Amazon.com page for the unabridged CD edition of Thomas L. Friedman’s The World is Flat and read it there.

My next review for PW will be of the abridged edition of David McCullough’s follow-up to the Pulitzer Prize-winning John Adams, 1776.

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Audiobook Economics

I read a non-fiction book recently called THE WORLD IS FLAT, which is about outsourcing and the global economy. I listened to it on audio, and the book brings up an interesting point in regard to audiobook publishing. As an audiobook reviewer, I have found myself frequently frustrated with the fact that audiobooks have nearly no lead time from production to publication, so reviewers have very little time to get their reviews done in a timely fashion (resulting in audio reviews that are “older” than desirable). The reason THE WORLD IS FLAT got me thinking about this, is because it discusses Wal-Mart, and how being the industry powerhouse it is, it was able to make certain demands to its suppliers in order to make its business more efficient (i.e., they forced all suppliers to use a certain type of tracking device with all packages which made Wal-Mart’s distribution system more manageable).

A powerful publication, like Publishers Weekly, or some other high-profile venue, could be in some position to dictate demands to audio publishers…namely, that they figure out a way to get reviewers audiobooks in a more timely fashion. With high-speed internet and digital audio publishing (more FLAT WORLD stuff), there’s no reason that reviewers shouldn’t be able to get audiobooks a bit faster than we are. Surely, publishers could get audiobooks to reviewers in a stripped bare-edition, without packaging, perhaps even just a single MP3-CD. But MP3-CDs aren’t even strictly necessary — publishers could set up ways for reviewers to download audiobooks via secure web servers (they would still have to be in a compressed format like MP3, as regular CD files [WAV files] would be much too large). New audio publisher Paperback Digital sells audiobooks to consumers this way, and Audible.com, of course, has a similar setup.

If a call center in Bangalore can field my customer service requests, or talk me through a computer problem, surely an audio publisher in my own country can get me a review copy of an audiobook at least a month before it goes on sale.

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