F&SF June Acquisitions

June’s acquisitions include:

  • Traitor by M. Rickert (4900 words)
  • Another Perfect Day by Steven Popkes (3000 words)
  • Bounty by Rand B. Lee (1200 words)
  • Petri Parousia by Matthew Hughes (3500 words)
  • Rumple What? by Nancy Springer (4000 words)
  • Monkey See… by P. E. Cunningham (5800 words)
  • On the Shelf by James Stoddard (12,200 words)
  • Mr. Morse’s Blues The Overseer by Albert E. Cowdrey (20,900 words)
  • Fergus by Mary Thornburg (4990 words)

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Jamestown Looks At Future Past

July 5 —

Matthew Sharpe, whose novel Jamestown is a finalist for this year’s Quill Awards, told SCI FI Wire that the book is the story of the Jamestown settlement of 1607, the first viable English settlement in North America.

More …

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‘Lord Weary’ Finds Hero Of Babel

July 5 —

Multiple-award-winning SF and fantasy author Michael Swanwick, whose novella “Lord Weary’s Empire” is a finalist for both the Theodore Sturgeon Memorial Award and the Hugo Award, told SCI FI Wire that the story is about Will, a young fey on the run who finds shelter in the subway system beneath the Tower of Babel.

More …

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SF Auction

To raise money for his impending relocation to England, where he intends to take up a secondary career as a housesitter, F&SF author Matthew Hughes is auctioning off some items that may be of interest to collectors. He’s going to hold a number of auctions over the next few weeks. First up:

Lot 1 — Fools Errant hardcover: this is the original 1994 Maxwell Macmillan Canada edition, signed, in near mint condition — it’s unread but it’s been moved around from time to time — and dust-jacketed. Only 750 copies were printed, and most of them went to Canadian libraries.

Lot 2 — Black Brillion proof: this is a Advanced Reading Copy paperback, with no artwork on the cover, signed, in mint condition.

Lot 3 — Magazines: a complete set of my magazine appearances from recent years. In total, there are twenty-one stories, sixteen from F&SF, Two from Asimov’s, two from Postscripts, and one from Interzone. Each story is signed on the page where it starts. As a bonus for completists, I’ll also throw in signed copies of my two stories in Alfred Hitchcock’s Mystery Magazine and a Czech and Russian edition of F&SF with a couple of my pieces.

HOW TO BID

For each of the three lots, e-mail a bid to mhughes[at]mars.ark.com, and put AUCTION and the LOT NUMBER in the subject line. I’ll post the latest bids (assuming they keep coming in) daily, or more often if there’s a lot of action. There will be no time limit (I’m not Ebay); when bids stop coming, I’ll sell to the highest. There will also be shipping costs.

For more information, visit Matt’s web site at http://www.archonate.com.

 

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June Was Slush Writer Appreciation Month and I Didn’t Even Call to Say “Hi”

D’oh! I just realized that I completely forgot that June is Slush Writer Appreciation Month. But I guess everyone else forgot, too. I didn’t catch on like I’d hoped it would.

Well, although I was thoughtless and forgot, I truly do appreciate all of you who submit stories into that great pit we call the slush pile. After all, if it weren’t for you guys, I wouldn’t have this cool job. So, thanks!

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I Feel Much Better Now That My Head Has Stopped Gushing Blood

Okay, so I cut my head open with a power saw today.

I had a very productive day prior to the incident, making a lot of progress toward the completion of my ongoing porch-repair project. Everything went smoothly, except that the skies became overcast and there was some drizzle. Fearing a downpour, I moved the table saw so that it was underneath the second floor porch, right in front of the cellar steps. As it happened, there was no cause for alarm, as it never progressed past a slight mist of rain. I managed to cut more than fifty balusters without injuring myself; strangely enough, it wasn’t the power-tool portion of the table saw that damaged me–it was the table itself.

After calling it quits, I packed everything away, stowing most of my equipment in the cellar, but I left the table saw out because, well, I sure as hell can’t get it down the steps by myself. So when I went back upstairs after depositing my equipment, I introduced my forehead to a metal arm of the table saw. It didn’t really hurt that much (though it’s kind of aching now), but it did, as the title of this post indicates, start gushing blood. It stopped soon enough, after some ministrations, though I felt the need to go get some of that liquid bandage stuff to minimize the chance of scarring. But looks like I’ll probably have a lovely wound to show off at Readercon this weekend.

So there you have it. That’s how I spent my Independence Day. What did you all do?

Incidentally, isn’t it a bit ironic that it’s illegal (pretty much everywhere) to set off fireworks, considering that we’re doing it to celebrate our independence?

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Hardboiled Horror

James Van Pelt tells me he’s editing an anthology for Notorious Press called Hardboiled Horror. Here’s a bit from the guidelines:

Stories submitted for this anthology should include elements from both Horror and Mystery/Crime. How you blend the two camps will be an important factor in story selection. For example, it is probably not enough if the protagonist stumbles into a situation and discovers that it is supernatural. That realization should come as a RESULT of specific detection – not accidental encounter. Stories can also start as Horror, then add the “detection” element. Protagonists can be mortal or not, as long as you are blending the styles. You may even submit tales that initially seem like they are destined to have a supernatural conclusion, but which are resolved in earthbound ways. Stories may certainly lean more heavily on one side or the other, but should include both genres.

Other details of note: submission window is June 15 to Sept. 30, and payment is “about $50 per story, maybe more for a novella and less for a short-short.”

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How to Sell Your First Genre Novel

I thought this might be of interest to some of my readers: 

How to Sell Your First Genre Novel

a 3 hour seminar on breaking into — and staying in — genre fiction taught by editor/author Laura Anne Gilman

Learn what makes genre writing different from mainstream or literary publishing, and how to parlay that knowledge, and a love of the genre, into the start of a successful career.

-The breakdowns and crossovers of genre classification

-How to work within genre structures to create something original

-How to pitch your work to a genre editor as opposed to a mainstream house

-The important know-how that give new authors a foot in the door

-The importance of a series concept versus a stand-alone book

-How to maintain a career once you’ve had your first book accepted

WHEN Wednesday, August 29, 6:30-9:30 pm

WHERE mediabistro.com, 494 Broadway (Spring & Broome), New York, NY 10012

PRICE $65

Laura Anne Gilman spent fifteen years as an editor for major NYC publishing houses before going freelance. She is the author of the popular `Retrievers´ series from Luna Books, which includes Staying Dead, Curse the Dark, Bring it On, Burning Bridges and Free Fall (2008), the Grail Quest trilogy for young adults, and over thirty short stories. In addition, she has edited two genre anthologies, and writes paranormal romance under the name Anna Leonard.

 I don’t know more about this than what’s reprinted above, but I’ve taken a Mediabistro class before, and thought it was pretty good.

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Contest: Imagine You’re a Transformer

My pal, Jeremy Tolbert, is having a blog contest. He asks:

If you were a transformer, what object would you turn into? Assume you have a robot shape and something else. What’s the something else?

After he receives the answers, he’ll make a poll and there will be voting. The winner will win a copy of the Fantasy anthology sampler, which features his awesome  story, “The Yeti Behind You.”

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More Than Meets the Eye

Here are some of my favorite pull-quotes from the Transformers reviews I’ve seen thus far:

  • The only thing that matters is giant freaking robots. — Patrick Lee, SCI FI Weekly
  • Chikachikachika! Now I’m a dump truck! VROOM! — Jeremy Tolbert, blog
  • AHHH! AAAAH!!! ROBOTS, OMG ROBOTS and they’re FIGHTING and they’re all like, PIT-OO, PIT-OO, PIT-OO — and I’m all LIKE YEAH, THAT’S WHAT I’M TALKIN’ ABOUT, and then did you see that one over there — did you see WHAT HE JUST DID and HOLY SHIT THAT’S OPTIMUS PRIME THAT’S OPTIMUS PRIME LOOKIE HE’S GOT BIG OL’ SWORD AND IT’S ORANGE AND ALL KILLY AND STUFF, and that guy who HE’S BEATING LIKE A LITTLE TIN DRUM is MEGATRON and I think that now I can DIE OF AWESOME POISONING because that was more awesome than a whole SWIMMING POOL THAT HAS BEEN FILLED WITH AWESOME, and then someone shoves A PAIR OF GIANT DUELING ALIEN ROBOTS INTO THE SWIMMING POOL, and there’s a UNICORN STANDING IN THE BACKGROUND, GRANTING WISHES and SHITTING DIAMONDS. — Cherie Priest, LiveJournal

You know, I usually resist going to see big summer blockbuster movies in the theater. I usually end up seeing them eventually, though often grudgingly and often don’t see them all the way through. But this…I don’t think I can resist this. Dude! Chikachikachika!

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