Loyal readers of this blog might recall a nice review Wastelands received from The Quiet Earth a while ago. Well, now, they’ve followed that up with an interview with me. If you’re a loyal reader of this blog and are not yet sick of reading interviews in which I talk about Wastelands, (or if you’re not a regular reader), here’s a snippet:

QE: Of course the genre has become very popular with film audiences. Do you think popular cinema has helped or hindered the more literary aspirations of the genre?

JJA: I think that popularity in film always helps out the popularity of literary treatments of the same genre, and authors are rarely find anything from the realm of film to hinder their efforts at telling good stories. If anything, it probably helps, because oftentimes films–especially SF films–explore interesting concepts, but often fail to capture what’s truly great about them (or don’t think them through all the way); this results in a lot of writers writing sort of "rebuttal" stories to things they’ve seen on film.

As for post-apocalyptic film in particular, I’m not sure how big an impact it’s had on the literature. A lot of people have asked me what my favorite post-apocalyptic films are, and I’ve had a hard time coming up with a list of things I honestly think are great. There are the iconic progenitors of the sub-genre like The Road Warrior, but is it a great movie? There’s great stuff about it, sure, but it’s very flawed. And that’s true about almost all post-apocalyptic movies I can think of.

There are probably more films that employ post-apocalyptic elements or imagery, but are not primarily post-apocalyptic–what I think of (and describe in my "for further reading" appendix in Wastelands) as being of "associational" relevance to the sub-genre. I’m thinking here of films like 12 Monkeys–one of my favorite SF films of all time–which is perhaps the best portrayal of a post-apocalyptic world on film.

There’s a new film coming out (or may be out by the time this interview is published) called Doomsday. When I saw the trailer, about halfway through it, I was thinking that it had a real shot at being the best post-apocalyptic movie ever. But then the cliché post-apocalyptic punks showed up and my expectations took a serious nose-dive. I think that’s a large part of what’s wrong with post-apocalyptic cinema–too much of it doesn’t try to do anything original, and is just copying what they liked about The Road Warrior.
 

Go here to read the rest.